White Lined Sphinx

She represents a strong female presence as well as our human connection with nature. Two themes intertwined, we are all connected and the power of the femme. Her eyes are locked onto the viewer as if to challenge them to look closer, to understand her message. Her feminine beauty is not soft but rather dark and exotic, daring the viewer to enter her world with no guarantee of it being a safe or comfortable place. Moths are amazing animals yet incredibly delicate, too much oil from one's fingertip can be a death sentence for them. We have reached a tipping point in history, humans must stop killing everything and start protecting everything that still exists, we are all connected and we are all in danger of a domino effect of extinction. My femme is a fierce sentinel for all the delicate life we must protect, as well as the messenger.

Caia Koopman is a preeminent pop surrealism artist who has been featured in prominent galleries from California to Canada and France. Over the years, her paintings have graced the walls of Thinkspace, Spacejunk, and La Luz De Jesus Galleries as well as the pages of numerous books and magazines. The appealing symbols in her work evoke fundamental human emotions in exquisite, surreal detail making them well received in the action sports industry as well as the fine art world. Signature series Oakley sunglasses and goggles are adorned with her designs while her illustrations gild designer Rossignol snowboards, skis and more.

While attaining her BA in Fine Arts from the University of California in Santa Cruz, Caia was a skateboard enthusiast immersed in the punk rock scene of the ‘80s. She continues to live in Santa Cruz where the youthful vitality of a college town is an ever-present, pulsating force. Her professional career began by creating designs for skateboards and snowboards. Enchantingly beautiful female characters in her paintings are imbued with this fearless sense of defiance. As a second-generation conservationist, loving the environment and acutely aware that humanity is dangling our planet over a dangerous flame of pollution, nature is often woven into the haunting fabric of her images. Birds, flowers, plants, butterflies, animals and mythical creatures are interlaced with iconic symbols of love, mystery, soul searching and timeless values. Lurking throughout these visual fantasies are “Día de los Muertos” skulls, cute yet macabre reminders of the interlocking yin and yang of life and death.

Koopman’s popularity stems from the dazzling, intricate dreamscapes that depict deeply-rooted subconscious themes flavored with contemporary culture. Feminine energy infused with power and daring is blended with delicate elegance. An edgy juxtaposition of seemingly contrary ideas and emotions is persistent, and reflects the uneasy balance we maintain with our 21st century lifestyles. Technology coexisting with nature. Vulnerability accompanied by strength. Streetwise sensibility embodied in dainty, tattooed nymphs. Whimsy in spite of pathos. Vibrant life hand in hand with death. These fundamental aspects of the human condition, surrounded by the elements of modern life, all flowing through gorgeous imagery, are the essence of Koopman’s masterpieces.