All These Roads Lead Back to Her

These are portraits of the forgotten idols, the pieces of the past meant to preserve the highest order of our human ideals. As we move stubbornly forward in time and generations pass on, we see our crowned achievements of art and culture as dust. The rate of decay is governed only by the constitution of the material, be it flesh or marble. These paintings are about interpreting the fragility of our idols and examining them from a humanist perspective. In the end, entropy prevails and only by finding beauty in decay and re-interpreting it do we carry on the indomitable human spirit of progress and artistic pursuit of beauty.

Bradley Platz’ intricate oil paintings deal with the alternating nature of worship in the modern age. Using classical symbolic imagery from old world traditions and transposing subtle hints of modernity, his work might best be described as tarnished elegance. Ever present also are certain whimsical and subtle symbols that carry the viewer through his body of work as a reader through a story, or a craft on the sea.